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Alejandro Cartin Garcia ‘The Singing Buildings. An architectural Etude.’

How can rhythm and melody can give structure and order to architecture? Or, how harmony can set the guidelines to design the mood of a space? The following document consist in the analysis and study of the relationship between architecture and music under the statement that music and architecture share common principles. How graphic scores can give the guidelines to generate architecture/space out of sound?. Or well, how can architecture influence in the process of composing music?
The project aims to exercise its reciprocal potential to create and design by composing music out of architecture and conceptualizing architecture out of music with a proposed system of metrics. The strategy is based in a non-traditional (some would say infamous) way of writing music; the graphic score. By writing music with another set of symbols or even drawings, this form of notation will lead the process towards forming space and architecture.
To conclude, architecture and music are such powerful and immersive art forms. Architecture is music and music is architecture. In a personal statement, they always coexist at the same time, in different dimensions, but both take absolute possession of the layers of space and time. Both forms of art are so explicit in humankind that we shape them in order to cast that specific mood we are looking for in a determined moment. By applying the filter of music to architecture, a very sensible yet intimate layer of perception appears to the spectator who is experiencing a space or making an analysis of it. But music is richly fed from architecture too. Not only by the large amount of information regarding metrics, structures and more, but can also help to understand and evoque that emotional touch that the composer is looking for.