<\/p>\n
the metamorphosis of the non-present<\/strong><\/p>\n This synthesis tension of nature and culture was recognised on site as a force between noisy-existing systems of order, the constructed, and the deconstructed silent presence of nature.<\/p>\n This investigation lies on exploring the semiotic infrathin where the two spheres lose their identity, where they become non-present.<\/p>\n What drives the experiment is the metamorphic tension between a structured systematised planning act, and a paradoxical outcome, that is shown as an unorganised rhizomatic image.<\/p>\n The system, which subsequently was a manual for the act of manipulating, is formed by a 50×50 grid which contains a sequence of numbers for x and y, and a set of 3 methodical and mathematical rules for controlling the overlaying of each movement.<\/p>\n The experiment, offers an orientation, embodying a prefabricated temporal system, followed by a metamorphic performance of seemingly mechanical multiplied acts, which transform the body structure, and subsequently a methodical systemised capturing.<\/p>\n The threshold between the systematic order and the organic chaoticness, the barely perceptible thinness, the fragile and final instant before reality disappears is when a metamorphosis of the non-present happens.<\/p>\n