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INCIPIENT RAUM 23-24

Supervisor(s) Tomas Ooms
Campus Gent
Language EN
Studio or individual?  Studio

Can a detail save the world?

INCIPIENT RAUM 2023-2024

A Detail in (the) Making

Incipit: (Latin, meaning: to take in hand, begin, commence.)

And so, it begins
Imagine an unknown room, in an unknown edifice, in an unknown city.
Then ask this question: ‘How is it made?’
This is the basis of the Incipient Raum studio.
You will start this studio by proposing a city that you have never been to before but are curious about. You will visit this city and explore local debates, topics, and concerns.
You will find yourself in plenty of unknown rooms in/around unknown buildings and you will find one space fascinating in particular.
Once you do, you will ask: How is it made?
And so, the project begins.

The Incipient Raum studio is an opportunity for you to explore your interests in the built environment and to develop critical thinking and communication skills. The studio is designed as a methodological framework that provides a certain set-up of the learning environment that guides you towards a transformative practice. 

Previous editions of the Incipient Raum
To get an idea of the possibilities offered by the Incipient Raum please check the Incipient Raum blog posts on this page. You will see the results from the previous renditions of the studio and get a view on the activities and environment of the studio workings.

The outcomes of the studio are open, allowing for students to amass agency and highly personal reflections. The studio emphasises documenting the process and decision-making, encouraging students to be highly productive across a range of media.

Throughout the (different) renditions of the Incipient Raum studio we noticed that the students’ projects gravitated around similar concerns. With consideration for these concerns four predominant themes are exposed:

The unlocking of spatial opportunities of existing spaces;
The act of observing and identifying spatial potential by means of interplay and/or extraction.

Exploring material reality and non-extractive architecture;
Investigating (the mereology of) materials (including their physical andmetaphysical properties) whereby the relationship between humans and materials transforms, ergo considering alternative accumulation of (raw) materials by pursuit of an architectural practice that does not rely on “new” material components.

Developing documentation of architecture as architecture (of documentation);
Producing architectural artefacts that document an architecture which conceive a transformative practice of architecture without constructive or deconstructive intervention.

Critically Caring: Can a detail save the world?
Studying inherent agency of details and their capacity to influence on theentirety.

Incipient as Spatial Condition
Incipient is borrowed from the Latin incipiēns: present participle of incipiō (“begin”). It is mainly used as ‘beginning to happen or develop’ or as ‘developing into a specified type or role’. Soil for instance can be incipient. This means that it contains the basis to provide for vegetation establishment. Something is present that ensures something will grow (happen later) under the right circumstances. And how about spaces? Can they be incipient? Can the idea of the incipient address urgent themes in architecture? Think for instance of adapting existing spaces or the idea of non-extractive architecture? Through architecture we transform. Not always through the production of new buildings, but more importantly, through the creation of (new) spatial relations. And agency plays a role in this. Agency has to do with performance and operationality. It fosters relationships. Agency is the capacity of an actor to act in a given environment. 

Thinking through making is the central paradigm of the studio, emphasising the idea that discovery, exploration, and design-research happens through experimentation, testing, and iteration. What is made are well-crafted documents which are essential epistemic architectural artefacts of inquiry. Thus, the studio encourages a hands-on approach to developing a coherent architectural reflection, where participants are expected to explore different materials, techniques, and forms to conduct a fundamental architectural and academic reflection.

If you have questions about this studio, do not hesitate to contact me: tomas.ooms@kuleuven.be

Doorzon interior architects Stefanie Everaert and Caroline Lateur join the studio for a lecture and as guest critics

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Incipient Raum Mid Term Review

Johannes Berry (Suguberri), Johan Nielsen (Manger-Nielsen) and Dalia Puodziute (Gijs Van Vaerenbergh) joined the mid-term review as guests.

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Macbeth (f): Exploring the Possibilities of Polykatoikia as (Gradient) Public Interior​ by Asli Eylem Kolbas Selected for the Mamut Art Project Exhibition in Istanbul

Aslı Eylem Kolbaş transposes the modernist architecture movement in the first half of the 20th century with Shakespeare’s Macbeth in her series of 12 digital drawings. The setting is present-day Athens, which saw an influx of residents in the population exchange of 1923. Modernist architecture, especially Le Corbusier’s “Maison Dom-ino” model was implemented by the city […]

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Felix Yuri Varaschini: Use in Decay; The illicit space of free time; The Amicale Solvay in Charleroi (BE)

The illicit space of free time is an account of a journey, an urban exploration, the narrative is composed of two volumes: in the first one explores Charleroi and its territory and the themes of foreignness, marginality and vacancy arise; in the second volume the journey lingers over the Amicale Solvay in Couillet and the […]

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A Flavour of the International Jury Event at the Incipient Raum Studio

The Incipient Raum Studio values the physicality of the architectural document. The final presentation is an exhibition event in which you will showcase your well-crafted documents and through them, your dissertation project.  

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Incipient Raum Studio in Residence

Each year at the start of the master dissertation studio semester, the Incipient Raum Studio goes in residence at an architectural office. Last year we were taking up shop at CRDBM in Brussels. During this residence, you will work on synthesising your first findings and proposals while you are embedded in an actual architectural practice. […]

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Alessandro Cugola: Eternal Holiday. RIBA Silver Medal nominee

Eternal Holiday investigates human tendencies in referring to landscape and uses architecture as a medium to further experiment upon this relationship. The South Funen archipelago in Denmark is considered as a site of this exploration. Not only does it allow a discussion on themes such as isolation and ‘touristification’, but it also begins to engage a […]

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Zuzanna Siedlecka: On Thresholding: Mediating and Negotiating the Sides of a Tourist City: Bruges Case (BE)

On Thresholding as a design-driven inquiry starts in and on Bruges as a touristic city. It is a portrait of the contradicting conditions of a touristic destination: the nostalgia for the past and the pace of the present; the city for inhabitants and the city for strangers. The mechanisms of tourism and heritage protection are the two […]

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Leonie Van Bellingen: The Unexcavated: Architectures of Curiosity: Exploring a Spatial Condition, Copenhagen (DK)

As human beings we are driven by the desire to discover, by our curiosity of the unknown. The paradox is that when aware of an unknown space, and curiosity leads to the discovery, it disappears. It is not unknown anymore. The process of exploring however, is a spatial experience in itself, where the qualities of the […]

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Marine Mamikonian: Architectural Documentary of observations; A Series of Architecture Portraits; Maastricht (NL) and Gent (BE)

The age of anxiety.. Like any other social phenomenon, architecture reflects the current state of its inhabitants. When the society is facing the global crisis such as pandemic, the urban life is transforming as well. As opposed to the intention of any city, which is characterised by the permanency and the poetry of its encounters, […]

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Alberto Bovo: Liberated Spaces; Deconstructing superflous architecture to reinterpret the city; Urbino (IT)

Liberated Spaces as a designerly exploration have as their subject the city of Urbino, a small town in central Italy. It is characterised by an extremely well-preserved and well-protected architectural heritage. Besides its heritage, Urbino is also known for its university. It is one of the most ancient in Italy. Cut off from the major […]

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Alwies Vandaele: Shaping the hidden: A strategy for the Holy Heart Basilica of Koekelberg, Brussels (BE)

Shaping the hidden How to get more insight in the process of a design is one of the main questions in this dissertation. How are things made? In architectural presentations or critics we only look at a finished product. The process towards it is mostly hidden. By exposing the process, we can learn more about […]

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Vincent Leonard Matzmorr: Unlocking Civic Potential in Ostend (BE): The Europacentrum Case

On Coasting In current multidisciplinary research on coastal regions of the world, the binary understanding between land and sea has gradually been replaced with the notion of a process: Coasting. “Coasting is something, which happens; it is mobile and fluid, responding to changing conditions and balances. Instead of understanding it as a battle for territory […]

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Bartlomiej Grzesznik: Inhabiting Liminal Spaces; Learning from Walden 7; Barcelona (ES)

Inhabiting Liminal Spaces; Learning from Walden 7; Studies; Spatial reflections in the context of architecture and digital media based on the studies of Walden 7. The influence of visual culture, which is an inseparable element of digital media, has a significant impact on society’s perception of the real world. Living in times when we are […]

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Ying zhao: On the Making of Home; In search of meaningful space

On the Making of Home is a designerly exploration under the realm of phenomenology of architecture, and specifically based the work of Gaston Bacherlard of his book The Poetics of Space. The design-led research revolves around the concept of “image”, a pure production of imagination as Gaston defined. The concept of image is meaningful to architects as […]

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Orçun Yazıcı: Redefining Boundaries; Democratic Space in Trabzon (TR)

Trabzon is a coastal city on the banks of the Black Sea in Turkey. Squeezed between the mountains and the sea, there is an old mosque overlooking the horizon: the Trabzon Hagia Sopia… The aim of Redefining Boundaries is to discuss the role of democratic space in contemporary Trabzon. The idea is to develop a […]

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