{"id":199,"date":"2022-01-19T19:06:53","date_gmt":"2022-01-19T19:06:53","guid":{"rendered":"https:\/\/www.blog-archkuleuven.be\/hybrids\/?p=199"},"modified":"2022-01-19T19:12:54","modified_gmt":"2022-01-19T19:12:54","slug":"hannah-gordts-cycle-of-deconstruction","status":"publish","type":"post","link":"https:\/\/www.blog-archkuleuven.be\/hybrids\/2022\/01\/19\/hannah-gordts-cycle-of-deconstruction\/","title":{"rendered":"Hannah Gordts &#8216;Cycle of (de)Construction&#8217;"},"content":{"rendered":"<p>My fascination started with a single phrase in Latin from the author Marc Aug\u00e9s\u2019s \u201cNon-lieux\u201d: \u201cIn statu nascendi\u201d (\u201cIn the state of being born\u201d). It describes the temporary form of an object when it has already started existing, but is not yet fully formed. It is about the moment thatwe have left but have not yet arrived. \u201cIn statu nascendi\u201d, refers to aconstant motion of slow transformation. Due to this motion a place canbecome a space, a transition space, similar to an incubation room where<br \/>\neverything is moving into temporary forms. Once the process has started in it doesn\u2019t stop moving. A cycle has been set in motion.<br \/>\nIn my Cycle of (de)construction, this constantly transforming space is presented as a landscape. A landscape that consists entirely of the same fabric or raw material. This raw material under-goes continuous changes in successive stages. In a first stage, this material will be withdrawn from the landscape. This stage we call deconstruction of the landscape.<br \/>\nSubsequently, in a second stage, the raw material is processed step by step into something entirely new. Finally, in the last stage, everything is returned to that same landscape in a completely new form. The landscape has been rebuilt, a construction is formed. This end of the process also immediately means the start of a next transformation stage. A natural perpetuum mobile has come to life. During the different processing stages, which follow each other incessantly, the material takes on a new shape. Each stage thus has its own start and end point, its own rhythm<br \/>\nof movement and its own goal to achieve. Despite the fact that all stages each exist separately with their own specific transformation, there is still one element through which they are all connected. That which urges the material to transform: time. The passage of time allows the existence of the constant movements, even though the duration of each singular transformation is different.<\/p>\n<p><iframe loading=\"lazy\" title=\"In statu nascendi \/ In the state of being born\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/eJjDuLX6CjM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Cycle of (De)Construction\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mDhYK4ETTGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<div data-url=\"https:\/\/issuu.com\/hannahgordts\/docs\/cycle_of_de_construction\" style=\"width: 500px; height: 354px;\" class=\"issuuembed\"><\/div>\n<p><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script><\/p>\n<p data-wp-editing=\"1\"><img loading=\"lazy\" class=\"aligncenter wp-image-207 size-large\" src=\"http:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction5-1024x564.jpg\" alt=\"\" width=\"1024\" height=\"564\" srcset=\"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction5-1024x564.jpg 1024w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction5-300x165.jpg 300w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction5-768x423.jpg 768w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction5-1536x846.jpg 1536w, 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srcset=\"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-1024x564.jpg 1024w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-300x165.jpg 300w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-768x423.jpg 768w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-1536x846.jpg 1536w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-2048x1128.jpg 2048w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction3-1200x661.jpg 1200w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/> <img loading=\"lazy\" class=\"aligncenter wp-image-204 size-large\" src=\"http:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-1024x564.jpg\" alt=\"\" width=\"1024\" height=\"564\" srcset=\"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-1024x564.jpg 1024w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-300x165.jpg 300w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-768x423.jpg 768w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-1536x846.jpg 1536w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-2048x1128.jpg 2048w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction2-1200x661.jpg 1200w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/> <img loading=\"lazy\" class=\"aligncenter wp-image-203 size-large\" src=\"http:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-1024x767.jpg\" alt=\"\" width=\"1024\" height=\"767\" srcset=\"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-1024x767.jpg 1024w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-300x225.jpg 300w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-768x575.jpg 768w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-1536x1150.jpg 1536w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-2048x1533.jpg 2048w, https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-content\/uploads\/sites\/357\/2022\/01\/Hannah-Gordts-Cycle-of-deconstruction1-1200x898.jpg 1200w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My fascination started with a single phrase in Latin from the author Marc Aug\u00e9s\u2019s \u201cNon-lieux\u201d: \u201cIn statu nascendi\u201d (\u201cIn the state of being born\u201d). It describes the temporary form of an object when it has already started existing, but is not yet fully formed. It is about the moment thatwe have left but have not [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/posts\/199"}],"collection":[{"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/comments?post=199"}],"version-history":[{"count":3,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/posts\/199\/revisions"}],"predecessor-version":[{"id":201,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/posts\/199\/revisions\/201"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/media\/202"}],"wp:attachment":[{"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/media?parent=199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/categories?post=199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/hybrids\/wp-json\/wp\/v2\/tags?post=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}