{"id":40,"date":"2023-09-18T07:17:49","date_gmt":"2023-09-18T07:17:49","guid":{"rendered":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/?p=40"},"modified":"2023-09-18T07:18:42","modified_gmt":"2023-09-18T07:18:42","slug":"documentary-of-spaces-come-with-me-to-scandinavia-by-marlene","status":"publish","type":"post","link":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/2023\/09\/18\/documentary-of-spaces-come-with-me-to-scandinavia-by-marlene\/","title":{"rendered":"Documentary of spaces: come with me to Scandinavia by Marlene"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&#8216;documentary of spaces: come with me to Scandinavia&#8217;<\/p>\n<p>\u201e<em>[&#8230;] a documentary may be understood as a series of visually and\/or audibly expressed statements connected by a narrative, and communicated from the author\/authors to the viewer with the intention it be received as fact.\u201c<\/em><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-45\" src=\"http:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-724x1024.jpg 724w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-212x300.jpg 212w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-768x1086.jpg 768w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-1086x1536.jpg 1086w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-1448x2048.jpg 1448w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-1200x1697.jpg 1200w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-scaled.jpg 1810w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p><em>A common phenomenon of architects when they design is to look at a site from above. Important details and the stakeholders involved are usually left out.<\/em><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-46\" src=\"http:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-724x1024.jpg 724w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-212x300.jpg 212w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-768x1086.jpg 768w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-1086x1536.jpg 1086w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-1448x2048.jpg 1448w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-1200x1697.jpg 1200w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-2-scaled.jpg 1810w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><em>This project started with a meticulous documentation of things I liked about the site of the Scandinavian hou- sing. I had a strong instinct of not wanting to change anything because almost everything I looked at appealed to me. I liked things. A place characterised by extreme diversity could not be changed just like that&#8230;<\/em>&#8221;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-47\" src=\"http:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-724x1024.jpg 724w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-212x300.jpg 212w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-768x1086.jpg 768w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-1086x1536.jpg 1086w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-1448x2048.jpg 1448w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-1200x1697.jpg 1200w, https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-content\/uploads\/sites\/579\/2023\/09\/marlene-gesleept-4-scaled.jpg 1810w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p>final book &gt; <a href=\"https:\/\/kuleuven-my.sharepoint.com\/:b:\/g\/personal\/tomas_ooms_kuleuven_be\/ERCxQGQrVWpNm2e7CbJWGXUBG0lSj6T9t5zXiC6Ho0hDjA?e=B6da9s\">230113_leporello_marlene.pdf<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;documentary of spaces: come with me to Scandinavia&#8217; \u201e[&#8230;] a documentary may be understood as a series of visually and\/or audibly expressed statements connected by a narrative, and communicated from the author\/authors to the viewer with the intention it be received as fact.\u201c A common phenomenon of architects when they design is to look at [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":45,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/posts\/40"}],"collection":[{"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":1,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/posts\/40\/revisions"}],"predecessor-version":[{"id":48,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/posts\/40\/revisions\/48"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/media\/45"}],"wp:attachment":[{"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/categories?post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blog-archkuleuven.be\/doors-of-perception-23-24\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}