TUTOR: DOUG ALLARD, JONATHAN ROBERT MAJ
SEMESTER 2 , ACADEMIC YEAR 2021 – 22
Sometimes, things are better when something is removed, rather than added……
In 1927 Anna Wagner Keichline, architect, inventor, suffragist, and World War 1 special agent, applied successfully for a patent for a hollow wall clay brick.
The ‘K’ Brick, by removing physical mass from the centre of the structural wall depth, reduced the weight of external walls by 50%, it allowed for taller buildings, speedier construction, utilised less raw resources and was simpler and quicker to make.
Anna Wagner Keichline had wonderfully succeeded in the often ignored and neglected enterprise of making something better by removing, rather than adding.
The studio will create architectural proposals which are defined by the inclusion of ‘absence’.
Rather than seeing absence as an omission, the studio will investigate the potential of non-built space to order, structure, and enrich architectural proposals.
Case Studies will be used as research material into the theme, and design projects to elaborate your individual approach.
“Why are things like that made?”
Maarten Van Severen : ‘Werken | Work’ – 2004 : Director – Terenja van Dijk
How we ‘make’ is intrinsic to how we ‘think’, and vice-versa.
The studio will contribute to the CRAFTMANSHIP ENGAGEMENT, and the material produced will form an important part of the methodology and design investigation in the studio.
The abstraction and reduction inherent in the making of hand-made models, sketches and collages is an introduction into the central theme of the studio.
“You don’t need a house you need a village in a forest”
Ryue Nishizawa, SANAA Architects
When Mr Moriyama asked for a new house, his architects gave him the above response.
The house he now lives in questions how absent space can define notions of proxemics, threshold, and togetherness,
as architectural historian Evangelos Kosioris has described it : “a life in-between”
The case studies will provide us with an introduction to a number of inspiring possibilities.
The Studio will take place within the BUILT NOTHING_NOTHING BUILT ADO (Academic Design Office).
This ADO is a collaboration between the faculty of architecture and the architectural practice of XDGA.
The studio is open to all interesting influences, and does not have a preferred style, nor dictate a predetermined outcome.
The design projects will be individual work, but we will use the studio structure to encourage discussion, debate and foster a culture of constructive peer review.
Precedent projects by the practice will be used as case-study projects, study visits to realised projects and to the studio in Brussels will be included, and XDGA collaborators will be invited to contribute to the discussion.
The first year of the studio will involve the design of a small-scale architectural project (less than 1000m2) (50% built) (50% non-built).
Fifty percent of your proposal will be ‘absent’.
This non-built space will be fundamental to the morphology of the project,
intrinsic in how the program is realised,
and will wonderfully succeeded in making something better by removing, rather than adding.
BUILTNOTHING – ADO (explanation of the AO and the studio theme)
BUILTNOTHING – 1 (the first year project)
BUILTNOTHING – BOX (the methodology of exhibition/display of models in the semester project)
BUILTNOTHING – TABLE (the methodology of the studio review days in the semester)
Read more about XDGA here. (Political Animals: The Architecture of XDGA by Philip Ursprung)
View the trailer for the documentary film over the Moriyama House here.
Please look at the short video (fragment) over Maarten Van Severen here.