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"Chicago, My Kind of Town”

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Releasing the virtuality captured in the real

Graduation studio
Promotor: Martine De Maeseneer

objectives

“Architecture remains one of the rare expressions in everyday life that provides a continuous experience of those other worlds and their distinct forms of organization and value, and simultaneously lays claim on a future that architecture’s particular techniques of projection allow. Architecture is a plastic practice, exactly positioned to enact alternatives: to produce holes in the world, stage breakouts, and release the virtuality captured in the real. The world “as it is” never constitutes a sufficient condition for architecture. And if you propose to “do” architecture – whether producing it, exhibiting it, or writing about it – that should not go without saying.“

from “Easier Done Than Said” by The Cameo, in Flat Out, fall 2016

program and theme

As a very centralised city benefitting from production and distribution in past and present, its renown grid was offering Chicago a most flexible means to develop and grow. Now at its licentious accretion it is ready for transition into a place for ideas and knowledge, for creativity and wit. From its position at the Michigan lake it is still an utmost important city to connect the US to the world, and it is now more than mature enough to become a world in itself:  to digest, translate, transform, and transcend all the surrounding and imposed energies.

This time there is no need to pioneer on tabula rasa or to push to another frontier. Now we can start with existing qualities, identifying them, highlighting them, dramatizing them and, by doing so, begin a new practice of social and urban renewal, towards new futures.

A future that perhaps makes the Chicago’s Loop or suburbia into a place that gives people a reason to stay and grow old.

A variety of cases studies of prototypical community environments & mixed public buildings (integrated in their specific surrounding neighbourhood and context at large) and theoretical essays, chosen by the respective partners  guarantee a critical and open discussion of the general theme and the produced outcomes, which will eventually lead to the design of a new sort of living environments by means of a mixed public building within the loop or adjacent neighbourhood suburbias.

One possibility is a new site in discussion, known as “Rezkoville”, along river south of loop. http://www.chicagomag.com/real-estate/May-2018/RIP-Rezkoville-Hello-the-78/#/0

Is being discussed as Amazon HQ site, and kind of mega tech/innovation mixed use campus with private, state, university partners…

Silicon Valley for Chicago; could work as grid anomaly…

The studio and research will be developed in collaboration with the team of Robert Somol, director school of architecture UIC Chicago and the Dough Garafalo fellow 2019-20 Johannes Berry. UIC will host the students during the November 2019 visit- http://arch.uic.edu.

the performative architecture studio – strategy & framework

Since the end of the 19th century, the beginning of the 20th century the idea has gradually grown that forms -no longer- come forth out of a ‘mental back-up’ which is inherited since immemorial times, which was thought to be vital for us – enabling us to speak, to see and to produce. The scenario that has come in its place is where these ‘forms’ have fled along our body, into the open space, into thin air.

As a result one can also understand how the western fascination for pure geometry descended over projective geometry to topology, fluidums, networks. In philosophy one calls that the downpour of platonic solids. It’s a movement that one can witness, happening in the last century. It’s a movement wherefrom generations of modern architects could not escape.

But nevertheless the picture still stands of this carrier space, a canvas, an envelope, a kind of background noise at the very least that works further behind or below the visible and reality. Sui Generi ‘diagrams’, which is the word which was very much in vogue in the second half of the nineties, work at the same time more autonomous and more generalizing.

For the architect/student it is paramount to chase these forms down, to get grip of them if one wants to know in which direction architecture is moving, as well as on a transpatial or spatial local level.

The studio focused on a continuously search for a broader field of ‘patterns’, ‘motives’, ‘logos’, ‘plots’ and ‘timbres’. — Words with an architectural resonance – which are an expression of a social, cultural an political involvement and expertise at large. This kind of (in)directness works.

This kind of architecture will demonstrate itself to us as it will jump from the classical adagio of likelihood (‘to like or not’ …) to an architecture where behaviour stands central (‘to behave or not’ …). Think then in the given context about the iteration ‘to click or not’ …, whereby texts, words, characters become functions in a sort of digital acrostics: just, avoid to stick them together with images in a glossy picturesque of branding of a city.

View the studio presentation as pdf here.

Master studios

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